My research paper is all written…for the most part. I still need to write a conclusion paragraph, make bibliography, and also have an outline of my essay to turn in. It’s due tomorrow at 12:20. Don’t worry, I work well under pressure. Come to think of it, I don’t think I get any work done unless I’m under pressure. I’ve had all semester to get this stupid paper started and it wasn’t until earlier this week when I thought to myself “I don’t have forever to do this essay. I have a lot less than forever to finish it” that I actually started working on it.
If I ever want to finish a screenplay or manuscript I guess I’ll have to pay someone to stand next to me with a gun pointed at my head at all times.
I’m so embarrassed by how bad this research paper is turning out. I’m not a formal writer. I can’t write formally. I like to picture what I write wearing a t-shirt they got at some concert and cut off shorts. All my teachers want me to write with a tuxedo on. Tuxedo writing sounds so fake. If you write it with a tuxedo then you have to read it with a tuxedo, you know? And some people can’t afford tuxedos!
Sorry. That’s how I’m starting to feel about films. I love the idea of the surreal, unconventional films. I love films that break the rules. At least I think I do. I’ve always liked the idea that films exist that break all the rules of narrative, but when I actually find these films they turn out to be three hours. Three hour monsters that are just daunting to watch. Black and white, maybe. They break all the rules of films so severely that one can argue that they’re no longer films.
The Fountain felt that way to me. It was one giant metaphor (allegory, simile, motif…whatever. It was one of those words I didn’t learn in my Literature class) thing that didn’t feel like a film. It felt like an exercise in filmmaking. It took a lot of thinking for me to finally “get it” (and I’d like to add that I didn’t need any outside help for me to “get it”), and when I did, when it finally clicked, I just sat there and thought, “that’s it? I sat through all that and…that’s it?”
I don’t know what I wanted out of it. Did I want to never be able to crack the film? Of course not. That would drive me insane.
I don’t want to be too harsh on The Fountain. There were a lot of budget issues, so a lot of the original plans for the film were cut. Maybe if I saw the original plan, maybe then I’d really like it.
There’s another thing. Friggin “Art” has separated “liking” something and “appreciating” something. I just found myself thinking, “I didn’t like The Fountain, but I appreciated it.” I’m not even sure if I knew what I meant by that. I thought it, though.
This is all spilling out because I saw the movie Synecdoche, New York yesterday. It was written and directed by Charlie Kaufman (wrote Eternal Sunshine of a Spotless Mind, Being John Malkovich). It’s weird. Everything is a symbol for everything else. I didn’t “get it” on my first viewing and part of me is afraid of the day when I finally do. Even though I didn’t understand what all was going on I knew that it was depressing.
I liked the movie. I’m not sure if I appreciate it yet, though. Is that one possible? Can I do that?
It’ll take a few more viewings, and a lot of deep dark soul searching for me to know for sure. Now there’s a positive to these “artsy” films. It’s something I’ve always felt about films in general. Your opinion on if it’s good or bad should partly come from a personal place. Sure you can weigh in how awesome and witty the dialogue is, or how the camera work is referencing some french new wave film that blah blah blah…
But what about you? I think you should have something emotionally invested in your favorite films. But that’s just me.







